Tour Shirt
City stack with a back-print hero. The front stays quiet — small left-chest lockup — and the back does the work. Big date, big room, big venue.
Wearable compositions — type-driven, single-strokes, screen-print-ready with strict separation.
Eight apparel graphics tuned for the press room. Every mark is built to hold up under a single screen pass on cotton — no midtones, no gradients on press, just disciplined type, hairline rules, and big shapes. Apparel graphic aesthetic for tours, merch drops, and one-off zine cuts.
City stack with a back-print hero. The front stays quiet — small left-chest lockup — and the back does the work. Big date, big room, big venue.
Single mark on the chest. Three-inch placement, centered, sits above the heart. Built so a brand reads at six feet.
A pocket-sized specimen sheet on cotton — three weights, one ligature, one dingbat. The shirt is the swatch book.
One continuous stroke, never lifted. Portraits, faces, hands — all drawn in a single pass and stripped to a hairline.
A single oversized initial, centered, holding the chest like a wax seal. Cut in a slab serif and printed tight to the hem.
A perfect square on the chest — the cover, unaltered, blown up to a 14-inch plate. One-color halftone for the press, the artwork stays faithful.
Torn-poster aesthetic — headline, slogan, date. Single-color stencil cuts keep bridges and counters clean for the press.
A monogram for ensembles and orchestras — batons, time signatures, and a glyph stack woven into one heraldic mark.