01 · Featured
Type-Only Sleeve
The wordmark does all the work. One typeface, one tracking decision, one color move.
Sleeve compositions — typography as image, single strong gesture, readable at thumbnail.
Eight approaches to the same square frame: type-only lockups, single-photo portraits, abstract marks, and split compositions. Every sleeve must survive a 64-pixel thumbnail — one strong gesture, no clutter, the title legible at a glance.
The wordmark does all the work. One typeface, one tracking decision, one color move.
One portrait carries the sleeve. No type at all — the face is the title.
Pure shape and color. No photo, no type — the geometry is the band.
Two frames split down the middle. The seam is the composition.
Designed as a 2-page spread. Outside and inside have to read together.
One system, four covers. Volume numbers + consistent frame.
Washed color, paper grain, watercolor bleed. Texture does the talking.
A fragment of lyrics typeset as the only image. The song is the cover.